Photo Manipulation. Genevieve Van Dussen

"I'm a student attending the University at Buffalo. My concentration is Communication Design and Photography. My inspiration comes from Kurt Schwitters. I have a great interest in the Victorian era for its elegant and intricate designs and patterns. My work portrays my interaction with the world as a youth".

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Photo Manipulation. Edmar Cisneros

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Photographer. Speranza Casillo

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Manipulation. Evgenij Soloviev

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Exhibition Design. Justin Maller

Justin Maller is a freelance illustrator and art director based in Melbourne, Australia. He has been creating digital art for over eight years, and has produced professionally in both a private and studio based capacity for the last three. He is represented by Jeremy Wortsman of the Jacky Winter Group.

Justin has had the pleasure of producing illustrations and concept art for a diverse array of companies and publications worldwide, and enjoys a cordial collaborative relationship with several prestigious international design studios. Work aside, he is an inner core member of the Keystone Design Union, an avid sneaker collector, occassional tweeter, and a mild force of nature on the basketball court. Justin is also the Creative Director of The Depthcore Collective, an international modern art collective established in June 2002. This role sees him direct and interact with many of the worlds most talented and prodigious young artists, musicians and designers as they illustrate and orchestrate the thoughts, hope and dreams of all corners of the globe.

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Art. Sylwia Skubis

Sylwia Skubis,22 years old photomanipulator from Poland (Europe).
"I work mainly in digital media and my pieces are mix between photo manipulation and digital painting. I’ve been working with photomanip (self taught) for almost 5 years and I awlays try to develope and never standing still.
I enjoy creating surreal and sci fi artworks but also fantasy scene.

Currently I work with Photoshop CS2 and a Wacom tablet. I mostly working on my own portfolio but I’m opened for commissions like cd and book covers etc.
Any questions, suggestions or commissions proposals send on >>>>

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Digital Imaging. Adrian Koh

"Born in the early 80’s, where U2 made the critics sit up and take notice with Boy (1980) and October (1981). Punk rock and the New Romanticism were about to transmogrify into a New Pop tsunami ready to strike a year later. Blondie was the trailblazer, with The Tide Is High and Rapture breaking into the top ten. I grew up with Radiohead and Greenday buzzing and sonic-waving through my teenage hood. I love music and because of album covers I ventured into design and eventually got my 1st touch on a Nikon FM2. Since then I started creating stills and visuals for others and myself.

Formerly schooled from the Malaysian Institutes of Arts, I believe that simplicity is the best policy. Lest you interpret that to mean boring, rest assured my self-professed nature is all about bringing life to my usually inanimate subject matter. Ever since graduated with a Diploma in Photography, life has never been the same. Like what Paul Arden has teaches me, “Too many people spend too much time trying to perfect something before they actually do it. Instead of waiting for perfection, run with what you’ve got, and fix it as you go.” Oh, and did I mentioned I’m a fan of Rene Magritte too. And I believe deeply in teamwork, community and collaboration. I love music and photography and life! So let’s be friends".

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Graphic Design. Kode Logic

Kode's company, named BossLogic is done by a self made graphic artist/ Writer.


Kode's theory is you start with everything and you choose if you want to keep or lose it along the path we cal life, time will make us part but imagination is what holds us all together, to love the world, you just need to add your touch to it.


Who is Logic

Graphic artist from Melbourne, Australia. First started drawing when he was 6 years old, still has not taken the pen out of his hand. After transferring his skills to a digital platform Kode was able to expose his work to a wider audience a move that came with great success.

Kode is still learning new skills along the way and being taught many different styles from many talented teachers.

Kode Has his own style of visual stories though his thirst for knowledge is something that never goes away so he keeps challenging himself and build the building blocks to get where he needs to be.

Kode love's doing collaborations with other talented people to learn their take on design and learn off that foundations to create a major outcome and to be remembered for what they have done.

So he has come into this artists battle field armed with his sketch book in one hand and his camera in the other, fighting to survive this colorful war.

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Master. Ziga Koritnik

"As with all the greatest masters, when looking at Žiga's photographs you have the distinct impression that they are entirely 'directed', pre-arranged, and absolutely perfect in terms of scenography. Most of the time, however (as in the world of music, where he gained fame through his study and ‘directed’ portraits of musicians) this is simply not the case. What is clear, of course, is that his extensive years of experience in television, and as official photographer for theatre, puppet and, primarily, musical events, culminates in his images of Sardinia, both in the landscapes and portraits.

“All the world's a stage”, Shakespeare said, but only very few can truly feel this, and make it happen in everyday relations with objects, people and images. Žiga is one of these. To him, little matter that his lens captures you or me, or him or her. His relationship with those who pose for him is the same as that he enjoys indifferently with animate and inanimate nature: be it animals, plants, buildings, streets, walls or markets. Žiga simply ‘snaps’ life as it repeatedly yields him new images and moments. And above all this, he has this rare talent to grasp and capture those surplus moments of life as it passes us by, bursting out and compelling our attention. Through his photos, life speaks to us, the life we perceive as concrete, here and now, in Žiga's images remains fleeting, yet rambling, unique and eternal.
Mario Batelic, february 2009".

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